@br0k3nf1ng3r · 15 downloads ·
Trash 2 > Faulty **If you know how to pull this off better please do not hesitate
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Share, discover, and download transfer function curves and plugin presets.
@br0k3nf1ng3r · 15 downloads ·
Trash 2 > Faulty **If you know how to pull this off better please do not hesitate
@br0k3nf1ng3r · 14 downloads ·
Trash 2 > Faulty **If you know how to pull this off better please do not hesitate
@Derickgtwk · 110 downloads ·
For those who enjoy the wildest octave fuzz, I tried to recreate the Ibanez Standard Fuzz distortion as best as possible using LiveSpice and other tools. My original idea was to replicate the FY6 / Superfuzz / Shaftesbury Duo Fuzz, but I thought the Ibanez version would be a more sophisticated take on this fuzz.
@UnKnoWn · 79 downloads ·
Fibonacci polynomials based curve, blend parameter morph between odd and even
@UnKnoWn · 195 downloads ·
Cool asymetrical compression using a capture from ableton's vinyl distortion plugin, use env. rise and fall parameters to control attack and decay
@Astrobear · 191 downloads ·
Animating the spline anchors and modulating with an lfo
@BuffaloSupernova · 280 downloads ·
Slowly modulated harmonics wiggling around add a constantly evolving wavefolder. It's aliiiiiiiveeee!
@BuffaloSupernova · 216 downloads ·
Modulating the harmonics and one of the lanes has the splines modulating
@BuffaloSupernova · 313 downloads ·
Uses the envelope follower to apply a nonlinear pseudo-compression. Based off the nonlinear compressor (really envelope follower) but uses the distressor curves. Not really based on the distressor compression dynamics (no threshold, no ratio, different attack/release dynamic)s but uses the distressor captures combined with the envelope follower.
@BuffaloSupernova · 265 downloads ·
Based on the nonlinear compressor but does the opposite. Uses the envelope follower to apply a nonlinear expansion. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low the transfer function is linear (low gain/saturation applied to quiet signals), when the evelope increases the curve is pushed towards a a heavy tanh saturation. So quiet signals are unsaturated and loud signals get saturated.