@Astrobear · 13 downloads ·
Animating the spline anchors and modulating with an lfo
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Share, discover, and download transfer function curves and plugin presets.
@R5Q1-9NKY · 28 downloads ·
Based off nonlinear compressor but using assymetric shapes. Uses the envelope follower to apply a nonlinear pseudo-compression. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low a heavy tanh saturation is applied (which is like having a good ammount of gain going into the nonlinear compressor), when the evelope increases the curve is pushed down to a linear transfer function decreasing the loudness and the harmonics generated. Thus, transients get the most clipping applied (high gain into the saturation prior to the envelope closing) - quiet parts of the signal get louder (low gain into the linear part of tanh brings up the volume) - loud sustained signals get less saturation (the transfer function goes towards a linear curve for sustained sounds - so their loudness is compressed).
@BuffaloSupernova · 45 downloads ·
Slowly modulated harmonics wiggling around add a constantly evolving wavefolder. It's aliiiiiiiveeee!
@BuffaloSupernova · 33 downloads ·
Modulating the harmonics and one of the lanes has the splines modulating
@SeanMatts · 44 downloads ·
TURN OUTPUT LEVEL TO -15db IF IT'S AT 0 Level - 12 o'clock Shape & Bend Maxed out middle position switch gain at 9 o'clock Glare at 1-2 o'clock Edited in Post to be even meaner
@BuffaloSupernova · 51 downloads ·
Uses the envelope follower to apply a nonlinear pseudo-compression. Based off the nonlinear compressor (really envelope follower) but uses the distressor curves. Not really based on the distressor compression dynamics (no threshold, no ratio, different attack/release dynamic)s but uses the distressor captures combined with the envelope follower.
@BuffaloSupernova · 43 downloads ·
Based on the nonlinear compressor but does the opposite. Uses the envelope follower to apply a nonlinear expansion. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low the transfer function is linear (low gain/saturation applied to quiet signals), when the evelope increases the curve is pushed towards a a heavy tanh saturation. So quiet signals are unsaturated and loud signals get saturated.
@BuffaloSupernova · 63 downloads ·
Based off nonlinear compressor but using assymetric shapes. Uses the envelope follower to apply a nonlinear pseudo-compression. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low a heavy tanh saturation is applied (which is like having a good ammount of gain going into the nonlinear compressor), when the evelope increases the curve is pushed down to a linear transfer function decreasing the loudness and the harmonics generated. Thus, transients get the most clipping applied (high gain into the saturation prior to the envelope closing) - quiet parts of the signal get louder (low gain into the linear part of tanh brings up the volume) - loud sustained signals get less saturation (the transfer function goes towards a linear curve for sustained sounds - so their loudness is compressed).