Share, discover, and download transfer function curves and plugin presets.
@Derickgtwk · 95 downloads ·
For those who enjoy the gritty sound of RCA broadcast mixers from the 1950s, this preset will recreate that unique character well. I recommend using this on all channels of the mixer in use, or for something more realistic, summing 4 to 6 channels.
@Derickgtwk · 78 downloads ·
based on a two-stage octal tube preamplifier topology without NFB
@Derickgtwk · 90 downloads ·
For those who enjoy the wildest octave fuzz, I tried to recreate the Ibanez Standard Fuzz distortion as best as possible using LiveSpice and other tools. My original idea was to replicate the FY6 / Superfuzz / Shaftesbury Duo Fuzz, but I thought the Ibanez version would be a more sophisticated take on this fuzz.
@zvukofor · 47 downloads ·
A snashot of the Ordinary Magic Bee Jelly hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune assymetry/harmonics balance.
@Feddel · 124 downloads ·
UA Solo 610 HiZ Mik input
@Feddel · 274 downloads ·
From AMS Neve 1074DPA
@Feddel · 266 downloads ·
From the 19" rack unit
@Feddel · 243 downloads ·
Mic Input set to LoZ
@UnKnoWn · 71 downloads ·
Fibonacci polynomials based curve, blend parameter morph between odd and even
@UnKnoWn · 147 downloads ·
Saturation with env follower on hysteresis, you can blend between cubic and quintic curves
@UnKnoWn · 161 downloads ·
Nice dynamic saturation curve based on captures from analog obsession's TUBA VST plugin. Play with input gain can squash the sound in a really good way !
@UnKnoWn · 187 downloads ·
Cool asymetrical compression using a capture from ableton's vinyl distortion plugin, use env. rise and fall parameters to control attack and decay
@DEFCON · 175 downloads ·
WALKMAN D6C TAPE SATURATION GOODNESS enjoy xD
@Astrobear · 190 downloads ·
Edit the colorbox hardware snapshots and enable surge clipping to model the stateful behavior seen in the JHS colorbox.
@RageEuphoria · 159 downloads ·
use a sine as input and used the jno wavtable as output. first time punblishing
@zvukofor · 215 downloads ·
A snashot of the Ordinary Magic Strawberry Fields hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune assymetry/harmonics balance.
@zvukofor · 190 downloads ·
A snashot of the Ordinary Magic Strawberry Fields hardware saturation circuit by Zvukofor Sound Labs. Use SCAN knob to tune the actual saturation of the captured model. For the versatility use a DC-offset plugin before input to fine-tune the behavior.
@Astrobear · 177 downloads ·
Animating the spline anchors and modulating with an lfo
@BuffaloSupernova · 271 downloads ·
Slowly modulated harmonics wiggling around add a constantly evolving wavefolder. It's aliiiiiiiveeee!
@BuffaloSupernova · 208 downloads ·
Modulating the harmonics and one of the lanes has the splines modulating
@SeanMatts · 229 downloads ·
TURN OUTPUT LEVEL TO -15db IF IT'S AT 0 Level - 12 o'clock Shape & Bend Maxed out middle position switch gain at 9 o'clock Glare at 1-2 o'clock Edited in Post to be even meaner
@BuffaloSupernova · 299 downloads ·
Uses the envelope follower to apply a nonlinear pseudo-compression. Based off the nonlinear compressor (really envelope follower) but uses the distressor curves. Not really based on the distressor compression dynamics (no threshold, no ratio, different attack/release dynamic)s but uses the distressor captures combined with the envelope follower.
@BuffaloSupernova · 249 downloads ·
Based on the nonlinear compressor but does the opposite. Uses the envelope follower to apply a nonlinear expansion. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low the transfer function is linear (low gain/saturation applied to quiet signals), when the evelope increases the curve is pushed towards a a heavy tanh saturation. So quiet signals are unsaturated and loud signals get saturated.
@BuffaloSupernova · 238 downloads ·
Based off nonlinear compressor but using assymetric shapes. Uses the envelope follower to apply a nonlinear pseudo-compression. Rather than controlling the volume directly the envelope modifies the nonlinear transfer function to apply more or less loudness/saturation. When the envelope is low a heavy tanh saturation is applied (which is like having a good ammount of gain going into the nonlinear compressor), when the evelope increases the curve is pushed down to a linear transfer function decreasing the loudness and the harmonics generated. Thus, transients get the most clipping applied (high gain into the saturation prior to the envelope closing) - quiet parts of the signal get louder (low gain into the linear part of tanh brings up the volume) - loud sustained signals get less saturation (the transfer function goes towards a linear curve for sustained sounds - so their loudness is compressed).